Portfolio Items
Brahms + Fauré
Clara SvernerInterweaving extraordinary works by two luminous composers, the pianist delivers introspective interpretations, characterized by a subtle melancholy and nostalgic sense.
J. S. Bach: Sonatas, BWV 1020 – 1030b & Partita in A Minor, BWV 1013
Joel GisigerIn exquisite performances, one of the greatest contemporary Brazilian oboists presents reinterpretations of a triptych of masterpieces by the German composer.
Accordion Baroque
Eliomar LandimWith virtuosic and astonishing interpretations, the accordionist from São Paulo renews the experience of the instrument in chamber music, transcribing with versatility and relevance seminal works by Bach and Scarlatti.
J. S. Bach: The Cello Suites
Antonio MenesesThe six suites for solo cello by Bach - fundamental pillars in the lexicon of the instrument - interpreted here by one of the greatest cello exponents of our time.
Perfume: Chiquinha Gonzaga Waltzes, Vol. 2
Karin FernandesIn an unprecedented recording, the São Paulo’s pianist presents the complete works of one of the most emblematic genres of the Brazilian composer and conductor.
Brazilian Women Composers: Music for Viola
Rafaell AltinoIn a panorama of national pieces, the violist from the Odense Symphony Orchestra highlights female composers of contemporary classical music.
Mendelssohn: String Quartets No. 1, 2 & 3
Quarteto Carlos GomesIn a benchmark interpretation of Felix Mendelssohn's first three quartets, the ensemble reveals the complexity and meticulousness present in these pieces.
Perfume: Chiquinha Gonzaga Waltzes, Vol. 1
Karin FernandesIn an ode to the Brazilian conductor and composer, the pianist presents a recording that immortalizes the relevance of a precious national legacy.
After a Dream
Antonio Meneses, Cristian BuduTwo classical music exponents join forces for the first time on an album dedicated to French repertoire performed on cello and piano.
Brazilian Music For Oboe And Piano
Alexandre Ficarelli, Marcos AragoniA selection of pieces in a rich cross-section of the 20th century, interpreted by representatives of musical nationalism, in a dialogue between oboe and piano.